Playing around with digital stained-glass effects, and thought it would be fun to portray tropical summer vibes in a medium where you don't usually find them. Shout out to Lisa Bardot at bardotbrush.com for the basic digital technique.
This is my first attempt at traditional egg tempera painting. The panel is a Masonite board from Michaels, but I need to use true gesso because the egg tempera will not adhere to acrylic gesso. Some of my favorite artists used egg tempera. Andrew Wyeth, Robert Vickrey, and Colin Fraser are all masters of this ancient and archival medium. I have been self studying this technique for months and I was very excited to start experiencing the medium. Egg tempera is like layering stained glass on top of stained glass. the painter can expect a luminous glow to take shape as the colors blend visually through the layers of paint - assisted by the chalk of the true gesso. Egg tempera has been described as the closest painting technique to drawing, hence my draw to this medium.
Hand drawn abstract wall art resembling uniform cut stained glass, representing horizontal rain. Inspired by a storm when in St. Lucia where the rain was hitting us sideways with great force.
I always loved the wide-eyed screaming horror of Elsa’s original Bride, but for mine I thought it would be fun if she was instead just very, very, displeased. As soon as her motor-functions kick in, it’s gonna kick off, and Doctors Frank’ and Pretorius are gonna take a very short walk off that very high tower.
On the set of the original movie, attached to one of the columns, you can see a big wheel that’s used to crank open the skylight. I thought it might be interesting to incorporate this, symbolically, as a sort of halo, like the kind of thing you see in stained glass windows and old religious art, and to give the scene an additional sixth day creation kinda vibe.
Also, whilst working on this, every time I thought of the name “Pretorius”, I would involuntarily sing it in my head to the tune of, “No, No, Notorious”
